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1864-1901, French painter and lithographer
Son of a wealthy nobleman, Lautrec fell and broke both legs
when he was a child and his growth was permanently stunted. Showing an
early gift for drawing, he studied with Bonnat and Cormon and set up a
studio of his own when he was 21. As a youth he was attracted by
sporting subjects and admired and was influenced by the work of Degas.
His own work was, above all, graphic in nature, the paint
never obscuring the strong, original draftsmanship. He detailed the
music halls, circuses, brothels, and the cabaret life of Paris with a
remarkable objectivity born, perhaps, of his own isolation. His garish
and artificial colors, the orange hair and electric green light of his
striking posters, caught the atmosphere of the life they advertised.
Lautrec's technical innovations in color lithography created a greater
freedom and a new immediacy in poster design. His posters of the dancers
and personalities at the Moulin Rouge cabaret are world renowned and
have inspired countless imitations.
After a life of enormous productivity and debauchery, Lautrec
suffered a mental and physical collapse and died at the age of 37. His
life has inspired numerous biographies of varying accuracy. Although
exhibitions of his work were not well received in his lifetime, he is
now represented in the major museums of France and the United States.
Many of his sketches and some paintings are in the Musée Lautrec of his
native Albi. His painting At the Moulin de la Galette (1892) is in the
Art Institute, Chicago; the lithograph Seated Female Clown (1896) is at
the Philadelphia Museum of Art.
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