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Mark King, a champion of Impressionism and the Ecole de Paris,
was born in
Bombay in 1931 of British parents. He is
the product of an exotic and privileged upbringing in
India, where he lived until the age of sixteen during the tumultuous
last days of the British Raj.
In 1948, following graduation from La Martiniere College in
Calcutta, where his focus had been on botany
as well as art, King sailed to
England to attend Bournemouth College of
Art, having determined to pursue painting, sculpture, architecture and
theatre design. He subsequently spent the next ten years as resident
scenic designer at the Oxford Playhouse Theatre, the
Bristol Old Vic Theatre and the Scottish National Opera. In 1961 King
decided to concentrate on painting and moved to Paris to study at the
Ecole des Beaux-Arts and the Louvre.
King has carefully studied the old and modern masters from
Cimabue and Masaccio to Goya, Turner, Degas and Bonnard. Fascinated with
painting techniques, the chemical composition of colors and how they
interact, King admits, "What I am searching for is not so much making a
statement, or coming up with something new or different, but having more
virtuoso command of my medium. Preparing the foundation consumes most of
his time, for King meticulously layers colors, glazes and shapes as
substrata for the five or ten percent of the acrylic paint that floats
on top and forms the finished composition. The underpainting filters
through to the surface creating depth and texture. Because of his alla
prima approach, in which a painting is realized in a burst of
inspiration and single application of pigments, King confesses, "It is
not until the last ten to fifteen minutes before completion that I am
able to see where the painting is going and catch the mood of the
moment."
King's versatility and zest for life transform everything he
paints into strong patterns of brilliant color. His subtle understanding
of how color, texture and paint interact is his strength. Color conveys
feelings and emotions in the creation of a timeless art. |