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Renowned for two of the most significant American sculptures
in this century ("The Creation" at Washington National Cathedral and the
Vietnam Veterans Memorial sculpture), Frederick Hart explored the inner
recesses of the human psyche. His later works expanded on "The Creation"
theme: the exploration of human movement from darkness to light.
Says Frederick Hart, "My work isn't art for art's sake, it's
about life. I have no patience with obscure or unintelligible art - I
want to be understood."
Born in Atlanta, Frederick Hart was a young aspiring artist
who applied for a job at the Washington National Cathedral in 1967 to
learn the skill of stone cutting. By 1971 he was ready to leave the
Cathedral. For the next three years he worked in his own unheated
studio, "almost starving to death" as he sketched his ideas for the
Cathedral international competition to commission the design for a
series of "Creation" sculptures for its main facade.
Frederick Hart was inspired by Pierre Teilhard de Chardin's
writings on science and theology and envisioned a great allegorical work
which would evoke the heroic struggle for awakening and consciousness.
The selection committee for the Cathedral was impressed with the power
and vision of his scale model studies and in 1974 awarded him with the
project. Frederick Hart was thirty-one. The Creation Sculptures were
completed in 1990, almost twenty years after Hart began work on them.
Comments master carver Vincent Palumbo, who worked with
Frederick Hart t for almost a decade, "Rick is one of the greatest
sculptors of classic sculpture we have today or are going to have in the
future. You can see the expressions of these human bodies, the details
he puts into them. I felt like I was working on a live person coming out
of the stone.
The Creation Sculptures include Ex Nihilo (Out of Nothing),
The Creation of Day, The Creation of Night, Adam, St. Peter, and St.
Paul. Frederick Hart's next major project was the statue of Three
Soldiers which he created for the Vietnam Veterans Memorial in the
nation's capitol. The fighting men portray the veteran's bond of love
and sacrifice and mutual devotion as they stare at the wall, almost as
if they are searching for their own names. Cast in bronze, this historic
sculpture - now one of America's most famous sculptures - was dedicated
in November, 1984, at a ceremony attended by President Ronald Reagan and
more than 100,000 veterans.
In 1985, President Reagan appointed Frederick Hart to a
five-year term on the Commission of Fine Arts, a seven-member committee
that advises the U.S. Government on matters pertaining to the arts and
guides the architectural development of the nation's capital.
In 1987 Frederick Hart received the Henry Hering Award from
the National Sculpture Society for sculpture in architectural setting,
shared with architect Philip Frohman (National Cathedral work). In 1988
he was the recipient of the quadrennial Presidential Design Excellence
award (Vietnam Memorial work).
In 1993 Frederick Hart received an honorary degree of Doctor
of Fine Arts from the University of South Carolina for his 'ability to
create art that uplifts the human spirit, his commitment to the ideal
that art must renew its moral authority by rededicating itself to life,
his skill in creating works that compel attention as they embrace the
concerns of mankind, and his contributions to the rich cultural heritage
of our nation."
Frederick Hart worked in stone, bronze, marble and clear
acrylic. The body of work he has created over more than twenty years
heralds a new age for contemporary art, "one in which figurative beauty,
embodiment of values, and spiritual enlightenment are the ways in which
we measure significance.
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