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Though his contributions to the entertainment of children have not been
inconsiderable, it is primarily for the mature artistry of his
serigraphs and original oils that Eyvind Earle has achieved recognition.
The amazing artist, born in 1916, had his first gallery
showing at the tender age of thirteen in France. This 1929 exhibition
was only to be the first in a lifetime of regular appearances and
showings, which established him as one of the premier artists of the
twentieth century. Known, in fact, as the artist of the twenty first
century, he demonstrated an artistic eye, which saw far beyond that of
most of his contemporaries.
In spite of this commitment to color and concepts, which
exhibit a beauty rarely or never seen on Earth, Eyvind Earle also
applied his considerable talents to mainstream culture. After receiving
both an Academy Award and a Cannes Film Festival Award for his animated
short, Toot, Whistle, Plunk, he was approached by Disney to contribute
to their upcoming projects. Over the next few years, Earle painted
backgrounds for such Disney masterpieces as Sleeping Beauty, Paul
Bunyan, and The Lady and The Tramp. While the majority of his work may
not be known to the general populace, mere mention of these films
conjures up childhood memories of fabulous worlds where animals can
speak, magic can transform people and love conquers all problems. In
this way, Earle's artistic genius is shared with all of American pop
culture and his influence touches even the youths and adults of other
countries.
In addition to his work with Disney, Eyvind Earle has done
seminal work in painting with oils and the making of serigraphs. Earle's
work has been so well known and respected that he has taken it on
successful exhibitions throughout the world. One of his chief
exhibitions was to go on tour with Norman Rockwell and other prominent
American artists in 1973. His early promise fulfilled, Earle was able to
maintain a leading place in American art throughout the twentieth
century.
In a move that radically changed his career and hugely
influenced the art world, he produced his first serigraph in 1974. Since
then he has earned himself a reputation as one of the world's foremost
serigraph artists and his limited edition pieces routinely sell out and
escalate in value. A serigraph is made by pushing oil through a fine
screen to be imprinted on its destination surface. The serigraphs are
never mass manufactured, but are kept to small numbers, which enhances
their individuality and collectability. Several of his serigraphs, such
as "Mystical Big Sur," "Mendocino" and "Cachuma" portray places and
scenes that can only be described as magical.
Eyvind Earle died
in 2000.
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