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Born in 1968 in Seattle, Washington, in a lush atmosphere of the Pacific
Northwest, Stephen Bergstrom became aware of his artistic abilities at
age twelve. Initially, movies were his avenue of learning: Stephen drew
scenes, sculpted characters and observed the effect of lighting and
composition created by directors of black and white films of the
thirties through the fifties. His grandfather - a prolific painter,
writer and engineer - instilled in him the curiosity and artistic
expressiveness that bolstered Stephen's growing passion for art.
Entering his first competition at sixteen, Stephen won “Best of Show” at
the 1985 Washington Regional Art Show and sold the first of many
paintings. This success spurred him to explore his talents in sculpture,
photography, painting, and computer graphics —all media he utilizes to
this day, although painting is his primary focus. His graduation in 1988
from the Art Institute of Seattle with a degree in Visual Communications
& Graphics and Illustration opened the door to an eight-year career
illustrating for magazines and newspapers, storyboarding for TV
commercials, and creative-consulting for film directors.
Stephen’s method of representing nature, consideration of aesthetics,
and range of brush strokes with carefully balanced color harmonies and
decorative effects are triumphant. Collectors of his work include
corporations such as United Chambers Insured Plans-Bellevue, WA, The
Paper Company-Seattle, WA, P.F. Industries-Kirkland, WA, as well as
private collectors worldwide.
“Art affects, and is expressed in, all we do, and brings life to a
common scene or natural setting.” Bergstrom is attuned to the
Impressionists: John Singer Sargent and Claude Monet for the balance
between impressionism and expressionism; Gustav Klimt for aesthetic
beauty, originality, and themes of color. Nature’s abundance leads to
Bergstrom’s gift — a joyous use of color and light, balancing form
between impression and diffused realism in his excitement to include the
viewer in this experience. Beginning with a full palette of colors, he
allows each work to complete its own artistic journey.
“Having a career as an artist is a life study. I start each painting
with the same approach, but the painting dictates its own path. It is
the spontaneous adventure which creates the style.” Stephen asks his
viewers to make a cognitive bridge between the representation of colors
and objects. The effects of light on a particular scene and the
consideration of aesthetics are all a part of the creation of a Stephen
Bergstrom image.
Abstraction, painterly elements, and an extraordinary range of brush
strokes direct the eye around his images. Stephen works to capture an
instant of light and the harmonic unity of color within that light. A
surrealistic tone accomplishes the final objective. By portraying
harmony, he depicts the creation of each separate moment, and archives a
magnificent copy of that place in time.
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